Making his company debut as Johnson, tenor Salvatore Licitra also came into his own in that short final act. The performance improved greatly in the third act, in time for her heartfelt plea for Johnson's life to have its effect.
GIRLS OF THE GOLDEN WEST SFGATE FULL
Through the first two acts, her tone sounded pinched and constrained, with a sense of effort that kept the role's soaring phrases from conveying their full impact. Voigt, singing Minnie for the first time, brought theatrical vibrancy and considerable personal charm to the role - it was no stretch to imagine an entire troop of miners eating out of her hand - but her singing largely lacked the freshness and tonal bloom it once boasted. Nancy Pelosi will run for re-election in 2022.By leaving out SF Giants legend Barry Bonds, the Baseball Hall of Fame finally signs its own death certificate.Horoscope for Wednesday, 1/26/22 by Christopher Renstrom.Why did everyone in my household get COVID-19 except me?.Jennie Nguyen Fired by Bravo From ‘Real Housewives of Salt Lake City’.49ers star Nick Bosa is the great-grandson of one of history's most feared mobsters.Earth’s tallest mountain is in Hawaii.Luisotti did his best to integrate these strains, with frequent but not universal success. To listen to "Fanciulla" is to hear foreshadowings of the harmonic daring of "Turandot" - particularly in the frequent use of whole-tone scales derived from Debussy - as well as melodic shapes and formulas carried over from "Tosca" and "Bohème." More telling is the fact that "Fanciulla" finds Puccini stretching beyond the musical idiom of his early successes, and doing it in ways that are sometimes brilliant and sometimes not quite persuasive. Skeptics may giggle at the spectacle of the Italianate miners, even though the setting and plot are no more absurd on their face than anything in "La Bohème" or "Madama Butterfly." Love comes to her at last in the person of a bandit going by the preposterous pseudonym of Dick Johnson, and it triumphs thanks to a combination of built-up good will and the always-useful ability to cheat at poker. It tells the tale of Minnie, a goodhearted tavern keeper who tends to the spiritual and emotional needs of the local men while keeping at bay the erotic needs of the sheriff, Jack Rance. Based (like "Madama Butterfly" before it) on a play by the American writer and impresario David Belasco, "Fanciulla" is set in a mining camp during the California Gold Rush. The reasons for the piece's comparative neglect are understandable but far from justified. The result was an evening of undeniable rewards, but one that didn't quite make a fully convincing case for a work that is apt to be unfamiliar even to practiced opera buffs. The Opera Orchestra sounded splendid - though Luisotti's enthusiasm sometimes led him to drown out the singers - and the harmonic and rhythmic fecundity of Puccini's writing came through at every juncture.īut things were more uncertain on the vocal front, with a strenuous and often acidic performance from soprano Deborah Voigt and capable but inconsistent contributions from her colleagues.
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